Texts

Session 1 Flirtation/Reparative acts

February 26th 2014



Gavin Butt, ”Scholarly Flirtations: The Serious Scholar”, summit: non-aligned initiatives in
education culture in collaboration with Goldsmiths College, London University, 2007

Gavin Butt is a British art historian based at Goldsmiths, University of London. Butt works in the intersection between art history, performance theory and queer theory, and has become an important figure in contemporary art history and queer theory. He is currently working on a project entitled Are You Serious? Flirtatious Acts in Contemporary Art and Performance.


Eve Kosofsky Sedgwick, ’Paranoid Reading and Reparative Reading, or, You’re So Paranoid,You Probably Think This Essay Is About You,’ Touching Feeling: Affect, Pedagogy, Performativity, Durham & London: Duke University Press, 2003, 123-151.

Eve Kosofsky Sedgwick was an American academic scholar in the fields of gender studies, queer theory and critical theory. Her critical writings helped create the field of queer studies. Her works reflect an interest in a range of issues, including queer performativity and experimental critical writing. Her work may be best suited to readers who can cope with, make up their own minds about, and appreciate Sedgwick’s sometimes elaborate prose. She was fond of neologisms, and of extending the meaning of existing words and phrases in new directions. In her own estimate, her style of writing cannot be called easy to understand or clear in meaning, either


Susan Sontag, ’Notes On ”Camp”,’ Against Interpretation, New York, London, Toronto,

Sydney, Auckland: Anchor Books Doubleday, 1986 (1966), 275-292.

Susan Sontag was an American writer and filmmaker, professor, literary icon, and political activist. Beginning with the publication of her 1964 essay "Notes on 'Camp', Sontag became an international cultural and intellectual celebrity. Sontag wrote frequently about the intersection of high and low art and expanded the dichotomy concept of form and art in every media. She elevated camp to the status of recognition with her widely read essay ”Notes on 'Camp”, which accepted art as including common, absurd and burlesque themes. It expounded the "so bad it's good" concept of popular culture for the first time.


Brady Burroughs, “Room Specifications: renovation of Casa Unifamiliare”, 2012,

unpublished.

Brady Burroughs is a researcher at the School of Architecture and the Built Environment, KTH, Stockholm, within Critical Studies. ”I'm searching for "disruptions", through imagination, provocation, humor. When does the searching become researching?”

 

(For the Bergamo Renovation Project on Casa Unifamilarie, unit #by Brady Burroughs please contact the Flirt Club.)